Chamber and committees

Since the beginning of the pandemic the Scottish Government has announced £175 million support to the culture, creative, heritage and events sectors. The dates in brackets are the announcement dates:

• £1.2 million for Creative / Screen Bursaries (March 20)
• £17 million to address hardship faced by creative freelancers (August 20, March 21)
• £12.5 million then £12 million for Performing Arts Events Venues Relief Fund (July 20, June 21)
• £13.1 million then £13m for Culture Organisations and Venues Recovery Fund (August 20, June 21)
• £3.5 million Open Fund (August 20)
• £4.25 million for youth arts, including the Youth Music Initiative (August 20 and subsequent additional funding)
• £0.5 million Creative Communities (August 20)
• £6.0 million for the Culture Collective programme (November 20)
• £6.2 million for Grassroots Music Venues (July and December 20)
• £5.6 million for independent cinemas (2 rounds) (August 20 and March 21)
• £0.4m for Museums Urgent Response fund (March 20)
• £7.1 million for Museums Recovery and Resilience Fund (2 rounds) (July and December 20)
• £31.5 million for the Events sector (July and December 20)
• £3.8 million for National Trust for Scotland to protect jobs (August 20)
• £21.3 million for Historic Environment Scotland (August 20 )
• £5.9 million to support heritage organisations via committed grants (August 20)
• £270,000 for the New Lanark Trust (August 20 )
• £3.1 million for historic environment recovery (September 20) (£2.6m resource, £0.5m capital)
• £1 million for V&A Dundee (October 20)
• £0.5 million for Capital Theatres (October 20)
• £150,000 for Glasgow International (November 20)
• £81,00 for Edinburgh Festival Fringe Society (November 20)
• £3 million for Aberdeen Performing Arts, Eden Court Highlands and Capital Theatres (January 21)
• £150,000 for St Giles (February 21)
• £1 million Creative Digital Initiative (CDI) (March 21)
• £900,000 in Capital for Capital project increases (Burrell Collection, David Livingstone Birthplace and Fruitmarket Gallery) (October 20, November 20, January 21)

This includes the most recent announcement in June of £25 million for the Cultural Organisations and Venues Recovery Fund (COVRF) and the Performing Arts Venues Relief Fund (PAVRF). £17m of this has now been allocated and contracting is underway. The Scottish Government is currently in discussion with cultural stakeholders, including Creative Scotland, regarding how the remaining £8 million will be allocated.

In total therefore £167 million has been formally allocated and contracted and passed to our delivery partners including, Creative Scotland, Museums Galleries Scotland, Events Scotland and Historic Environment Scotland. A small amount of this funding is not yet fully spent. This includes £287,000 of funding to heritage organisations, £132,000 for museums, and £1.5 million funding for events. There are in addition final payments to be made from Creative Scotland to Culture Collective, Youth Arts and Open Fund.

We are still awaiting clarity from HM Treasury on why the additional £40 million of culture consequentials, which were announced as part of the £300 million uplift to the Culture Recovery Fund in the UK Budget in March 2021, have not yet been passed on to the Scottish Government.

On 11 November 2020, the Minister for Local Government, Housing and Planning announced in Parliament the continuation of the Rural and Islands Housing Funds beyond March 2021 with up to £30 million available to support this demand led scheme as part of the five year Affordable Housing Supply Programme in the current parliamentary term.

Scottish Government officials continue to hold frequent meetings with SEPA to support them and to better understand risks, consequences and responses as they recover. SEPA’s progress is reported through their weekly service status update which is published on its website. They have also recently published their Annual Operating Plan which outlines their priorities to March 2022.

The Scottish Government authorised an overspend of up to £2.5m against the approved 2020-21 resource budget allocation to cover unforeseen costs including accessing cyber recovery expertise in the immediate aftermath of the attack and fund recovery work. In 2021-2022 SEPA have been given the flexibility to use all available funding to best effect to ensure a successful recovery.

SEPA continue to manage within their overall allocated annual budget for 2021-2022. This is reviewed on a monthly basis with Scottish Government Officials.

CalMac Ferries Ltd conducted a vessel inspection prior to the time charter of the MV Arrow to operate the Ullapool – Stornoway freight service. These checks were conducted using Ship Inspection Report Programme (SIRE), an exemplar of vessel inspection, from which no faults were identified.

The technical issue encountered by the MV Arrow was unforeseeable and was due to fishing equipment being caught wrapping around the propeller.

As the operator, CalMac Ferries Ltd will determine how to deploy or cascade vessels during any period of disruption to maintain lifeline ferry services across the Clyde and Hebrides Ferry Service (CHFS) network.

I refer the member to the answer to question S6W-01651 on
‎ 18 August 2021. All answers to written Parliamentary Questions are available on the Parliament's website, the search facility for which can be found at https://www.parliament.scot/chamber-and-committees/written-questions-and-answers

The Scottish Government allocated £25 million to the Rural Housing Fund and £5 million to the Islands Housing Fund when they were launched in 2016-17. The following table provides a breakdown of funding allocated in each full year of the Rural Housing Fund and Islands Housing Fund since 2016-17 to main fund projects proceeding.

The First Minister announced that Kathleen Jamie is to be Scotland’s next Makar at an event at the Scottish Poetry Library on 18 August.

The news release provides the details of this appointment. This is available at: New Scots Makar - gov.scot (www.gov.scot)

Following Jackie Kay’s departure from the role in March 2021 an Expert Panel was convened to consider nominations for the next Makar. They met a number of times to consider potential candidates against the role description, they compiled a confidential shortlist of potential candidates and agreed upon a recommendation which was put to the First Minister for endorsement. The First Minister accepted that recommendation.

Collectively the Expert Panel bring a wide range of skills in poetry, including in the use of the Gaelic and Scots languages, and in the way it is communicated to audiences.

The Expert Panel comprises:

David Seers, Head of Sponsorship & Funding Team, Culture & Historic Environment Division, Scottish Government, (Chair)

Alan Bett, Head of Literature and Publishing, Creative Scotland

Jackie Cromarty, Associate Director of External Relations, National Library of Scotland

Dr David Goldie, President, Association for Scottish Literary Studies

Peggy Hughes, Chair, Literature Alliance Scotland

Eleanor Livingstone, Former Festival Director, StAnza, Scotland’s International Poetry Festival

Marjorie Lotfi, Poet, Director of Open Book and Chair of Board of Trustees, Wigtown Book Festival

Dr Robyn Marsack, Independent Advisor, Editor, Director of the Scottish Poetry Library 2000-2016

Dr Peter Mackay, Lecturer in English, University of St Andrews and poet who writes in Gaelic

Michael Pedersen, Poet and Poetry Programmer, Neu Reekie

In keeping with past practice the Scottish Government has no plans to publish the names of the poets on the confidential shortlist for this role.

This protects those poets who, once nominated by the expert panel, were asked and agreed, to take part in this process.

The Scottish Government funds Screen Scotland, the dedicated public sector agency for the film and television industry in Scotland, which was formed in 2018 and sits within Creative Scotland. Screen Scotland supports the development and growth of the film and television sector in Scotland through increased support for film and television production, an increase in specialist staff and further investment in skills, facilities, festivals, audiences and education.

Working with Screen Scotland the Scottish Government has facilitated the delivery of studio facilities in Scotland, most recently the First Stage Studio in Leith and Kelvin Hall in Glasgow. Amazon’s The Rig recently concluding filming in the Leith facility and Amazon’s Anansi Boys will commence pre-production in the same space in the next few months while Good Omens 2 , also from Amazon, will begin production in Scotland this autumn.

Having secured those projects for Scotland, Screen Scotland has ensured they work wherever possible with Scotland’s highly respected freelance and self-employed crew base and facilities providers and maximised training opportunities on the productions. The significant positive step change in production activity across Scotland in the last 18 months has been welcomed by this crew base, who are experiencing unprecedented levels of demand for their services.

As part of the training requirements that complement any successful funding award, Screen Scotland advocates for and supports a range of training initiatives, including a minimum number of trainees on a production, outreach programmes and also supporting local freelance and self-employed crew to be promoted into more senior positions or to work closely with international Head of Departments to learn from their experience.

The work of Screen Scotland’s Screen Commission is also vital in securing opportunities for Scotland-based self-employed and freelance crew and facilities on international projects. Whether a project accesses Production Growth Fund support or not the Screen Commission can support exploratory recce and budgeting costs. This allows international producers to access funding for Scotland-based location scouts and local Line Producers to develop draft budgets for projects exploring the possibility of filming within Scotland. Line Producers are a key member of each production as they negotiate with suppliers and hire the crew. This gives our Scotland-based line producers an opportunity to advocate for local freelance and self-employed crew at a very early stage. Screen Scotland provides details of all freelance and self-employed crew and facilities providers who have agreed to have their details shared to incoming productions.